Mary Magdalene – 2021
John 20:1-18
Marian Free
In the name of God who frees us from the grief and pain of the past and who sends us to proclaim hope to the world. Amen.
I was so lucky! Imagine being able to spend seven weeks overseas with not a care in the world. You will remember that in 2018 I was fortunate enough to spend seven weeks in Europe for my long service leave. As part of that holiday, I had two weeks in Florence. Before travelling I met with David Henderson who has lived in Italy. He told me what would be his top five places to go, things to do. I was so grateful, it meant that instead of trying to fit everything in, I could focus on just a few special experiences and do the remainder if I had time. One of his suggestions was that if I did nothing else that I should see Donatello’s Mary Magdalene in the Museo dell’Opera del Duomo.
I am so grateful. The Penitent Mary Magdalene has a room to herself and is so extraordinary and so moving, that, had there been a chair, I could have spent half a day contemplating the figure. As it was I was so moved that finally I had to tear myself away. I have included a photograph in the Pew Sheet, but it is hard to do her justice. Donatello has carved a figure that is utterly bereft, completely desolate. His image is of a woman who is so stricken with grief, that she has lost all sense of pride. She looks haggard, her hair has grown to her ankles, teeth are missing, and she looks as though she has been wandering around the countryside, living in the open .
The idea of a penitent Mary stems from end of the 6th century when Pope Gregory 1 made the association between Magdalene and the sinful woman from the street who anointed Jesus’ feet (in Luke 8). There are many reasons why these cannot be the same woman. It is true that we are told that Mary Magdalene was the one from whom 7 demons were cast out but that suggests that she was suffering from a physical ailment or a mental illness, not that she was making her living from prostitution. Mary was among the women who supported Jesus from their own incomes, she was at the foot of the cross when all the disciples had fled and, as every gospel records, she was at the tomb early in the morning of the third day. That Mary’s role in the ministry of Jesus was remembered (at a time when women were being written out of the story) is indicative of the role that Mary went on to play in the early church. This is further supported by the fact that Mary is mentioned in the Gospel of Philip in which Jesus is said to have shared secrets with her and to have kissed her on the lips.
The Biblical Mary is someone who has been empowered by Jesus, not someone who was overwhelmed by guilt. Indeed, Mary is often called the “apostle among apostles” as it was Magdalene who was commissioned by Jesus to tell the disciples that he had risen from the dead . For this reason, it is impossible for me to marry the Mary that I know, with the Penitent Mary popular with artists in the 15th and 16th centuries.
When I saw Donatello’s sculpture, I knew only that it was his Mary Magdalene, and it is only in preparing for today that I discovered the ascription “Penitent” given to the sculpture by the artist . It was because I knew the Mary of the New Testament that Donatello’s Mary spoke to me of grief and not of penitence, of despair and not of guilt. In fact, for me Donatello’s Mary comes straight from this morning’s gospel. Mary has come to the tomb alone. Having discovered that Jesus was not there she has run and told Peter and the disciple whom Jesus loved. They ran to see for themselves and, having seen, returned to their homes.
Mary stayed, weeping – utterly alone, utterly disconsolate. It is this desperate grief that I see in Donatellos’ sculpture – a woman who has lost, apparently forever – someone who had loved her and affirmed her and whom she had loved in return. This Mary knew that nothing would ever fill the void that filled her heart at that moment. Her life, which for a time had had meaning and purpose at this moment stretched out, empty, before her. Now, even his body had gone. Now there was no grave, no place where she could go to mourn him.
Lost in her thoughts and overwhelmed by sorrow, Mary could not recognise the risen Jesus until he called her name. Then, apparently fearing that she would lose him for a second time, Mary – physically or metaphorically – clung to him. But the future that she imagined cannot be. Jesus tells her to let go. He must leave and she, Mary must take on a new role – that of apostle, one sent by Jesus to spread the gospel.
Our story is very different from that of Mary, but over the last twenty months we have said good-bye to many of our hopes and dreams, we have endured separations from those whom we loved, some of us have experienced financial hardships and all of us find ourselves facing a future that is very different from that which we had expected. Our lives will never be the same but, like Mary, we cannot cling to the past, we cannot put our lives on hold, hoping that they will return to what they were. We must move forward, impelled by our faith and confident that Jesus, our risen Saviour goes before us, having faced his own demons, experienced the worst that life can throw at him and come out triumphant on the other side.
Grief is a natural response to loss, but we cannot allow it to hold us forever in its grip for none of us know what the future may hold.



